Heaven and hell
By journalist Tine Winther
Henrik Saar shows existential artworks
in Gallery Estfelt - Horsens
Despair, emptiness, forfeiture, and desperation. Henrik Saar has used the gloomy brush for the exhibition: "Heaven and hell."
The 36 years old Teacher-educated Henrik Saar from Fredericia has been a painter since hen was in the beginning of the 20ties. He is relatively self-taught through established artists, who taught him both in Denmark and Peru, from where his wife comes.
The Saar style demands space because the expression is hugely expressive.
In my life, as in my art, I am an existentialist, and thus I work in themes like freedom, anxiety, and despair. The existentialism hasn't got any steady form, that's why the expression may change for each picture. There is no place for resting either in a pictorial manner nor in life itself, and that's why each painting is a new painting in any sense, explains Henrik Saar.
Stone Age emptiness
The most remarkable painting, which Henrik Saar ha given the title; "Stone age romanticism," is made in the impasto technique, and imagines a little boychild in a petrified wood with a ball in his hands.
The existentialism describes the empty and dense atmosphere. The boy has a ball in his hands, but there is no one to receive the ball. It's the image that I like most — inspired by a photo of my first steps in 1968, where I was able to start walking - Here on my way out in the emptiness / life, explains Henrik Saar.
"Inferno - Verse no. 13," inspired by "The divine comedy" by Dante, imagine two old ladies walking in a horrible and gloomy wood. I wish that you interpret me as an expressive figurative artist with my propper style and world, wherefrom I express myself.
"Spiritual hymn," imagine a singing monk with a branch in his hands, sitting kneeled in a centrifugal universe without nowhere to hold.
I make my paintings due to processes and are just about a despairing process. Despair is the driving force because one tries to repair what went wrong yesterday. By continuing working on the painting is to get out of the despairing feeling the artwork brought you in yesterday. During that process, the image develops until you reach a level or a form that you never would arrive in a comfortable logic way.